![]() It’s all one connected piece of his musical personality, whether it’s coming from his trumpet or his voice.Īnd this should be true of the way you approach improvisation as well – the point isn’t just to follow music theory rules and have technique, it’s to make music! The thing about listening to “Pops” is that you can’t separate the individual notes he’s playing from the larger rhythmic and musical picture he’s creating. One of the most notable things you can learn from Louis Armstrong is his approach to creating melodic phrases. Let’s take a closer look at six specific techniques Louis Armstrong uses in this solo, techniques that are surprisingly relevant today… Phrasing, Rhythm, & Melodicism Take a listen to Basin Street Blues recorded with the Hot Fives and Sevens in 1928:Īt in the recording, Armstrong begins his solo… John Coltrane and Miles Davis were the ripe old age of two, and masters like Herbie, McCoy, Freddie Hubbard, and Wayne Shorter weren’t even born yet! The year he made this recording a little kid in Kansas City named Charlie Parker was turning 8 years old. A massive amount of time in relation to the progression of modern music history. Today we’re going to focus on a particular solo from Louis Armstrong that’s nearly one hundred-years-old. And if you dedicate some time and attention, you’ll pick up some valuable skills along the way. Sure, the recording quality might be poor and the stylistic approach might sound outdated, but Louis Armstrong’s musical genius shines through. This is a foundation that every great improviser following in his footsteps would learn and eventually build upon…and it’s a musical lesson that you must learn as well if you’re serious about sharpening your skills! I love his approach to the trumpet, he never sounds bad. You can’t play anything on a horn that Louis hasn’t played –I mean even modern. Defining how a soloist creates musical phrases, uses time & rhythm, and improvises in a melodic way. You see all these years ago Louis Armstrong was laying the melodic and harmonic foundation for this music and for every musician that would follow. And the truth is, you can pick any Louis Armstrong solo, any melody that he interpreted, and discover a valuable musical lesson that will help your playing. ![]() The surprising answer is more (a lot more) than you think. Price in £ or €: select a currency in top right section of this page.Louis Armstrong is called many things: a musical pioneer, the father of American music, the first great soloist, and the catalyst for countless creative musicians around the world…īut for many musicians today, his music can seem old hat, antiquated, and even irrelevant – I mean what can you actually learn from a bunch of old recordings made before the advent of bebop, Kind of Blue, and all the of “modern” stuff we listen to today? > see all patterns with Houses (all designers)Īll patterns on Creative Poppy's website are printable and available for instant download. ![]() > see all patterns suitable for beginners (all designers) > see more Sampler patterns by Riverdrift House ![]() Themes: house, gate, bird house, bird, pink > View size in my choice of fabric (fabric calculator) Needlework fabric: Aida, Linen or Evenweave Cross stitch pattern designed by Riverdrift House.Ĭhart info & Needlework supplies for the pattern:Ĭhart size in stitches: 94 x 94 (wide x high) Perfect for a beginner.Įxperienced stitchers can consider cross stitching the design on 25 ct linen, over a single thread of fabric, an extra refined piece of needlework. Small it is but crammed with everything you should wish to find in a sampler and using only 5 colors of thread. It uses the same colours as the Mini Long Dogs, so can make a pair. “A little mini sampler for a small project set that is fun and fast to stitch. CROSS STITCH PATTERN READY TO DOWNLOAD, DESIGNED BY RIVERDRIFT HOUSE
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